La línea gráfica tiene como esencial discusión su dimensión análoga con el dibujo. La gráfica va un paso más allá, añadiendo la fotografía y el grabado.
Graphic practice finds its essential point of inquiry in its relationship to drawing. Yet it moves beyond drawing’s singular condition, embracing photography, engraving, and other reproductive processes as integral components of its language.

Rooted in the mark while extending beyond it, graphic work occupies a space where gesture, image, and material transformation intersect. It is within this expanded field that drawing evolves into a broader visual discourse, one capable of negotiating between uniqueness and multiplicity, immediacy and mediation.